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Red Dot Design Award 2022 for Doga Relax
  • Awards
  • Outdoor Furniture

Red Dot Design Award 2022 for Doga Relax

  • Andrew
  • April 9, 2022
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Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen
  • Awards

Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen

  • Andrew
  • April 9, 2022
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Exciting Developments Planned for theMART in 2022 and Beyond
  • Neocon Chicago

Exciting Developments Planned for theMART in 2022 and Beyond

  • Andrew
  • February 27, 2022
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director

  • Andrew
  • February 24, 2022
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The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things
  • Salone del Mobile Milano

The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things

  • Andrew
  • January 17, 2022
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Milan “Salone del Mobile” 2022 postponed
  • Salone del Mobile Milano

Milan “Salone del Mobile” 2022 postponed

  • Andrew
  • January 17, 2022
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Bisazza Mosaics Pebbles Collection
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  • Indoor Furniture

Bisazza Mosaics Pebbles Collection

  • Andrew
  • January 2, 2022
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Nardi Outdoor Doga collection receives a Good Design® Award 2021
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Nardi Outdoor Doga collection receives a Good Design® Award 2021

  • Andrew
  • January 1, 2022
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SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General
  • Architecture

SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General

  • Andrew
  • December 31, 2021
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Massimosistema by Poltrona Frau
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  • Indoor Furniture

Massimosistema by Poltrona Frau

  • Andrew
  • December 30, 2021
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! 
From 7th to 12th June at Rho Fiera Milano. Are you going to be there?
#salonedelmobile2022
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! From 7th to 12th June at Rho Fiera Milano. Are you going to be there? #salonedelmobile2022
3 months ago
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Season's Greetings from Tony Cucco design blog
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Season's Greetings from Tony Cucco design blog
5 months ago
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Hive Coworking Space
#design #designinspiration #designlovers
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Hive Coworking Space #design #designinspiration #designlovers
6 months ago
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Club workspace clerkenwell workshops, farringdon, london, united kingdom
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Club workspace clerkenwell workshops, farringdon, london, united kingdom #design #indors #tonycucco
6 months ago
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
7 months ago
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
7 months ago
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
8 months ago
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A Glass-Enclosed Pool Pavilion Reshapes a Hamptons Retreat

On the windward edge of Long Island, a recently completed residence reframes the way a swimming pool can anchor a family compound. The glass-enclosed pool pavilion at its heart behaves less like a utilitarian shed and more like a transparent living room, drawing in daylight, sky and surrounding meadow while sheltering the water from the Atlantic weather. The architectural firm behind the project describes the structure as an inhabited threshold, a tempered-glass volume that mediates between the main house, the lawn and the dunes beyond.

What distinguishes this build from earlier Hamptons commissions is not the budget, nor the footprint, but the discipline with which transparency is used. The architects have resisted the urge to dissolve every wall into glass, instead selecting a single, generous enclosure as the project's focal moment. Set perpendicular to the main residence and reached through a stone walk that doubles as a garden axis, the pool pavilion reads as an object placed in the landscape rather than a room carved from it.

The result speaks to a wider movement in residential design, where transparent pavilions are being treated as primary living spaces rather than as auxiliary structures. Conservatories, orangeries and pool houses once occupied the margins of the architectural brief. Today they are increasingly placed at the centre, treated with the same care as a kitchen or a primary suite. The Hamptons project sits comfortably within that evolution while pushing its expressive potential further.

For readers tracking parallels between North American coastal architecture and Australian residential work, the project raises familiar questions about climate, glazing standards and the cultural value Australians place on backyard swimming. Outdoor pools are so embedded in suburban life in Sydney, Brisbane and the Gold Coast that any conversation about a glass-enclosed water feature tends to land differently here. The comparison is not a stretch.

The Setting and the Brief

The property sits within a quiet stretch of the Hamptons where zoning favours generous setbacks and where the Atlantic breeze is rarely out of the dialogue. The clients, a family relocating from a denser urban context, asked for a residence that could host large gatherings in summer while remaining calm and sculptural during the off-season. The pool, traditionally an outdoor amenity exposed to leaves, salt and sudden storms, needed to stay usable in marginal weather.

The architects responded by isolating the swimming programme into its own pavilion and treating that pavilion as a piece of glass architecture in the round. From the approach, the visitor sees the rectangular volume first, then the main house. From the dunes, the reverse is true. The planning deliberately choreographs these sightlines, with the pool enclosure acting as a hinge between the cultivated and the wild sides of the site.

Transparency as an Architectural Strategy

Glass, used at this scale and with this much exposure, demands a sophisticated structural argument. The pavilion relies on slender laminated mullions and low-iron glazing to keep the corners as crisp as possible, allowing the structure to read almost weightless at dusk. During the day the water reflects the sky, while at night the interior lighting turns the pool into a lantern visible from the main house.

There is a long lineage of transparent pavilions in twentieth-century modernism, from Mies van der Rohe's Barcelona Pavilion to more recent conservatory-style additions in private gardens. What this Hamptons project borrows from that lineage is the idea that transparency should be reserved for moments of significance. Solid masonry, weathered timber and planted borders compress the palette around the pool, leaving the glass to do its work without competition.

The Pool Pavilion Itself

Measuring roughly fourteen metres in length, the enclosure accommodates a lap pool, a shallow lounging shelf and a discreet plant area for filtration. A continuous clerestory ring runs along the upper edge of the glazing, drawing hot air upward and allowing the volume to breathe during humid afternoons. The floor is a pale, lightly textured stone that warms the reflected light and provides secure footing when wet.

Access is arranged through a sliding glass door on the gable end, which when fully retracted opens the lap lane onto the lawn for summer swims. In winter the same door seals the volume tight, allowing the pool to operate as an indoor facility. The cleverest detail is the way the stone walk leading from the main house aligns with the pavilion's central axis, so a swimmer stepping out of the water is framed by a long perspective across the garden.

Climate Lessons for Australian Homes

The Australian context offers a useful counterpoint. In a country where most detached suburban homes already include a swimming pool, the question is rarely whether to enclose one, but how to do so without sacrificing the outdoor culture that makes pool ownership appealing. The National Construction Code treats pool barriers and ventilation as serious compliance matters, while Bushfire Attack Level ratings in many coastal and hillside suburbs dictate the type of glazing and framing that can be used.

The Hamptons pavilion suggests a hybrid approach worth considering locally. The enclosure is generous enough to count as a primary leisure space during the cooler months and during poor air quality days, yet it remains demountable in spirit through its sliding doors. For projects in Melbourne's bayside suburbs or along the New South Wales coast where sea spray, salt and storm events shorten outdoor seasons, an enclosure of this calibre could shift expectations of residential pool architecture.

Materials and Structural Choices

The glazing specification borrows from commercial conservatory work, including triple-laminated safety glass with a low-emissivity coating to manage solar gain. The mullions are slim enough to read as drawn lines, fabricated from a thermally broken aluminium that resists corrosion in salty air. Where earlier pool enclosures relied on heavy timber framing that quickly weathered, this project treats the structure as a piece of joinery engineered for longevity.

The roof is a low-slope, drained glass assembly rather than a traditional pitched lantern. Engineers worked closely with the glazing supplier to ensure that condensation, snow loading and wind uplift were all addressed through integrated detailing rather than retrofit solutions. Underfoot, the stone paving continues unbroken from the interior of the pool house to the exterior garden walk, reinforcing the idea that the enclosure is an internal room placed within a larger outdoor composition.

Indoor-Outdoor Living Reconsidered

A long tradition of Australian residential design, from the deep verandah of the Queenslander to the postwar fibro beach shack, has always negotiated between shelter and openness. The Hamptons project extends that conversation into the realm of the swimming pool, arguing that climate control and landscape immersion are not opposing aims. The enclosure allows the pool to remain a daily amenity through shoulder seasons, while the surrounding meadow, dunes and salt air remain visually present.

Such an approach also responds to the way Australians actually live. Properties in suburbs from Perth to Brisbane are increasingly designed around the pool deck, with kitchens, living rooms and primary suites oriented toward the water. A pavilion that elevates the pool to the level of a primary living volume, rather than treating it as a backyard afterthought, asks a question worth posing in domestic briefs across the country.

Influence on the Wider Conversation

Beyond its immediate contribution to the Hamptons housing stock, the project is likely to circulate through residential studios in North America, Europe and the Asia-Pacific region. Photographs have already appeared in several design publications, and similar enclosed aquatic volumes are showing up in early concept work from coastal practices. For readers who follow the evolving dialogue around transparent pavilions, pool architecture and modern conservatories, the project offers a rigorous case study.

It also invites a reassessment of how enclosed pools are perceived. Too often they read as compromises, sealing off a feature that should ideally be open to the sky. When the enclosure itself is treated as a piece of fine architecture, with the same attention given to proportion, material and light as a drawing room, the perception shifts. The pool becomes a destination rather than a retreat.

Design Choices Worth Noting

Several decisions stand out for anyone studying the brief:

  • The placement of the pavilion perpendicular to the main house, rather than parallel, which preserves long axis views toward the dunes.
  • The use of clerestory glazing to manage humidity without mechanical intervention, a passive strategy with long payoffs in operating costs.
  • A continuous stone floor running from the interior pool deck out into the garden walk, collapsing the threshold between built and unbuilt space.
  • A minimal mullion profile that lets the structure retire into the landscape during daylight hours.

Considerations for Similar Projects

Designers thinking through a comparable build can weigh the following early in the process:

  • Local glazing codes, including thermal performance, safety ratings and any bushfire, coastal or cyclone requirements affecting frame selection.
  • How the pool programme changes across the year, and whether enclosure usage should be seasonal or year-round.
  • The structural implications of large glass surfaces, especially in areas prone to high winds or seismic activity.
  • Maintenance access for glass cleaning, filtration equipment and any automated shading that may follow.

Looking Ahead

The project sits within a broader story about how transparency is reshaping residential architecture, from glass-walled kitchens in Sydney renovations to fully glazed garden studios on rural Victorian properties. Studios that treat glass as a primary material, rather than as a surface finish, are finding new clients willing to invest in the engineering that this entails. For those seeking further reading on contemporary projects that push these ideas, contemporary project galleries offer a useful starting point.

A glass-enclosed pool pavilion asks a simple question with a layered answer. Can a swimming pool be both an outdoor amenity and a sheltered room, embraced by landscape yet protected from its rougher edges? The Hamptons residence answers that question with quiet conviction, offering a model that other residential architects, including those practising in Australian coastal towns, are likely to study with care.

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