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Red Dot Design Award 2022 for Doga Relax
  • Awards
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Red Dot Design Award 2022 for Doga Relax

  • Andrew
  • April 9, 2022
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Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen
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Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen

  • Andrew
  • April 9, 2022
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Exciting Developments Planned for theMART in 2022 and Beyond
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Exciting Developments Planned for theMART in 2022 and Beyond

  • Andrew
  • February 27, 2022
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director

  • Andrew
  • February 24, 2022
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The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things
  • Salone del Mobile Milano

The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things

  • Andrew
  • January 17, 2022
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Milan “Salone del Mobile” 2022 postponed
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Milan “Salone del Mobile” 2022 postponed

  • Andrew
  • January 17, 2022
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Bisazza Mosaics Pebbles Collection
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Bisazza Mosaics Pebbles Collection

  • Andrew
  • January 2, 2022
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Nardi Outdoor Doga collection receives a Good Design® Award 2021
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Nardi Outdoor Doga collection receives a Good Design® Award 2021

  • Andrew
  • January 1, 2022
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SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General
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SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General

  • Andrew
  • December 31, 2021
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Massimosistema by Poltrona Frau
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Massimosistema by Poltrona Frau

  • Andrew
  • December 30, 2021
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! 
From 7th to 12th June at Rho Fiera Milano. Are you going to be there?
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! From 7th to 12th June at Rho Fiera Milano. Are you going to be there? #salonedelmobile2022
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Season's Greetings from Tony Cucco design blog
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Season's Greetings from Tony Cucco design blog
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Hive Coworking Space
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Hive Coworking Space #design #designinspiration #designlovers
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Club workspace clerkenwell workshops, farringdon, london, united kingdom
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Club workspace clerkenwell workshops, farringdon, london, united kingdom #design #indors #tonycucco
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
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A minimalist house in New Mexico with rammed earth and adobe

Against the high desert beyond Santa Fe, a minimalist house in New Mexico built from rammed earth and adobe reads less like an object dropped onto the land than a piece of it. Low rooms gather around a shaded court, while broad openings frame juniper, sky and the long shadow of the Sangre de Cristo Mountains. Nothing competes with that setting; the architecture is quiet, robust and deliberately spare.

Earth is doing several jobs at once. It gives the walls thermal mass, reduces the visual noise of applied finishes and can lower embodied carbon when the soil is local. Yet the design is not a simple exercise in using mud. Every opening, wall thickness and roof edge responds to intense sun, dry air, cold desert nights and brief summer downpours.

The result offers a useful lesson for Australian homeowners, architects and designers: minimalist architecture does not need to mean fragile, technical or imported. It can be elemental and highly resolved. This examination looks at construction, comfort, spatial character and the choices that would translate the idea into Australian conditions.

A house shaped by the high desert

The house follows the land rather than sitting above it. A compact, east-west footprint gives living spaces morning light while allowing the main rooms to face south for winter sun. Low rooflines echo the horizontal spread of the mesa, and a planted court keeps the centre of the plan cool and useful.

At roughly 2,200 metres above sea level, northern New Mexico can be hot in the afternoon, cold after sunset and dry for long stretches. The thick earthen envelope moderates those swings. Deep reveals and small, carefully placed openings temper glare while preserving generous views, a balance that relies on proportion rather than excessive glass.

Earthen building has a long history in the region, but this is not a pastiche of adobe villages. It translates familiar ideas—mass, shelter and inward-facing shared space—into a contemporary, well-detailed house. The distinction matters: cultural references sit alongside current energy goals, careful drainage and a rigorous understanding of regional weather.

Rammed earth and adobe working together

Rammed earth is made by placing damp, graded soil inside temporary formwork and compacting it in thin lifts. Once the formwork is removed, the wall reads as a continuous geological stratum. Adobe uses much the same material logic, but in sun-dried bricks, which are laid in mortar and usually protected by render.

Here, rammed earth forms the principal exterior walls, bringing strength and a sense of permanence to the shared rooms. Adobe creates lighter internal partitions and smaller openings. Lime plaster softens both surfaces, while pigment and mineral aggregates provide subtle variation without wallpaper, tiles or decorative cladding.

The material still requires engineering. Soil composition, moisture content, compaction, compressive strength and the need for stabilisation must be tested. Rain during construction can ruin a wall, so temporary protection and sequencing are as important as the final finish. Earth is local and low-impact, but it is not maintenance-free or automatically suitable for every site.

Minimalism with a material purpose

Minimalism here is tactile rather than stark. Low timber benches, plain plaster walls, deep window seats and a limited palette of ochre, chalk and smoked metal leave room for light to define the architecture. Storage is built into the walls; loose furniture stays sparse and easy to move.

The restrained sequence of rooms is cinematic: each opening frames sky, mountain or shadow, creating the cinematic sense of place that thoughtful film viewing can also reveal. The house therefore feels larger through framing and adjacency, not through an inflated floor plan or oversized rooms.

In summer, the court becomes an outdoor room for shaded meals; in winter, reflected sun can warm the thick southern wall. Materials age visibly, so the minimalist palette is practical as well as aesthetic: small marks blend into the wall, and repairs can be made with compatible earth or lime finishes.

Passive climate control in practice

Thermal mass is most effective when the house is designed around daily temperature cycles. Earth walls absorb heat during the sunlit part of the day and release it later, while thermal modelling checks when that stored heat is useful rather than a burden. Insulation placement and night ventilation are as important as wall thickness.

High-level vents draw warm air out, shaded cross-ventilation serves the main rooms and a narrow water court supports evaporative cooling during dry periods. Roof water can be captured for irrigation and toilets, while wide overhangs keep intense rain away from earthen wall bases. Every detail should assume water will eventually find a path.

This level of environmental performance is too useful to leave in the desert. For further project stories and design references, the design reading list offers a useful parallel: good architecture makes climate, craft and daily rituals visible rather than hiding them behind technical language.

A practical Australian design checklist

Adelaide offers the closest climatic kinship, with hot, dry summers and readily available clay soils that can reduce transport. Canberra’s frosty winters tell a different story: heating loads, airtightness and well-placed insulation must be balanced against the benefits of thermal mass.

Brisbane introduces humidity, heavy rain and termite pressure, so vapour-open finishes are not enough; raised floors, drained cavities and termite management matter. Sydney’s bushfire exposure demands tested roof, glazing and ember details. An earth wall cannot replace BAL assessment or compliance with AS/NZS 1670.

Melbourne’s appetite for character-led homes and low-carbon design is a cultural match. The Australian market includes earth presses, compressed stabilised earth blocks and lime finishes in several capitals, although earth walls remain niche beside timber, brick and insulated panels. Councils, insurers and experienced trades should be involved early.

  • Set the orientation and shading strategy before choosing the wall system, using local sun and wind data rather than a standard floor plan.
  • Test the proposed soil and stabiliser with a qualified earth specialist, then build a full-size sample panel to check colour, cracking and workmanship.
  • Define thermal and moisture targets early, including summer heat gains, winter heating, ventilation paths and the maintenance plan.
  • Separate the earthen structure from damp ground with suitable footings, drainage layers, flashings and replaceable finishes at wet edges.
  • Model local hazards, including bushfire ember exposure, termites, intense rain and nearby vegetation, and verify relevant Australian standards.
  • Price commissioning, testing, specialist labour, temporary weather protection and repairs as part of the whole project, not as extras.

Taken together, these conditions point to adaptation rather than transplantation. The most convincing Australian version would keep the house’s restraint and climatic logic while changing orientation, wall assemblies, services and maintenance details to suit its own region.

Comparing earth construction choices

The practical distinction is not simply “natural” versus “conventional”; it is how much risk each system concentrates on site, labour and long-term care. A close comparison helps a brief align method, budget and climate.

System How it is built Strongest qualities Main watch-outs Best Australian starting point
Rammed earth Moist graded soil compacted in lifts between reusable formwork Monolithic walls, sculptural strata and strong thermal mass Soil testing, trained crews, rain protection and foundation design Dry sites with an experienced installer and reliable temporary weather cover
Adobe Sun-dried earth bricks laid in mortar, often rendered Breathable, repairable and regionally familiar Slower drying, weather-sensitive work and high labour demand Dry regions; stabilised or compressed earth may suit modern approvals better
Compressed stabilised earth blocks Pressed blocks made from controlled soil mixes Modular dimensions, less on-site wet work and repeatable production Crushing equipment, stabilisation, quality control and code acceptance Growing niches where specialist manufacturers and approvals are established
Hybrid systems Rammed earth, blocks and conventional framing assigned to specific loads Tailored performance and phased construction More interfaces, detailing and trades to coordinate Often the most practical option after local engineering, cost and moisture review

New Mexico rewards systems with strong mass and skilled protection during construction. Australian buyers should be less interested in a universal answer than in a documented assembly, a reliable local supply chain and clear repair instructions. Moisture remains the decisive factor: a beautifully crafted wall is a poor decision if drainage, waterproofing or inspection access is left vague.

Build a home that belongs to its place

The strongest lesson is not to copy adobe visually. It is to begin with climate, local resources and the rituals a household wants, then let the material system support them. A plan organised around shade, shared meals and quiet work can feel generous in a small footprint.

Before committing to earth, ask a designer and builder to model the wall as a full-scale mock-up, not a decorative sample. Invite local earth makers, structural engineers, energy assessors and council contacts to the same briefing. Their combined knowledge will expose weak details before they become expensive changes.

Start with a site-and-climate brief, set measurable comfort and maintenance goals, and then choose the earth assembly that can meet them. Contact a regional earth-building specialist today and book a site visit before choosing a wall finish.

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