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Red Dot Design Award 2022 for Doga Relax
  • Awards
  • Outdoor Furniture

Red Dot Design Award 2022 for Doga Relax

  • Andrew
  • April 9, 2022
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Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen
  • Awards

Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen

  • Andrew
  • April 9, 2022
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Exciting Developments Planned for theMART in 2022 and Beyond
  • Neocon Chicago

Exciting Developments Planned for theMART in 2022 and Beyond

  • Andrew
  • February 27, 2022
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director
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  • Trade Shows

Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director

  • Andrew
  • February 24, 2022
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The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things
  • Salone del Mobile Milano

The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things

  • Andrew
  • January 17, 2022
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Milan “Salone del Mobile” 2022 postponed
  • Salone del Mobile Milano

Milan “Salone del Mobile” 2022 postponed

  • Andrew
  • January 17, 2022
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Bisazza Mosaics Pebbles Collection
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  • Indoor Furniture

Bisazza Mosaics Pebbles Collection

  • Andrew
  • January 2, 2022
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Nardi Outdoor Doga collection receives a Good Design® Award 2021
  • Awards

Nardi Outdoor Doga collection receives a Good Design® Award 2021

  • Andrew
  • January 1, 2022
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SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General
  • Architecture

SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General

  • Andrew
  • December 31, 2021
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Massimosistema by Poltrona Frau
  • Furniture
  • Indoor Furniture

Massimosistema by Poltrona Frau

  • Andrew
  • December 30, 2021
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! 
From 7th to 12th June at Rho Fiera Milano. Are you going to be there?
#salonedelmobile2022
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! From 7th to 12th June at Rho Fiera Milano. Are you going to be there? #salonedelmobile2022
3 months ago
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Season's Greetings from Tony Cucco design blog
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Season's Greetings from Tony Cucco design blog
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Hive Coworking Space
#design #designinspiration #designlovers
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Hive Coworking Space #design #designinspiration #designlovers
6 months ago
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Club workspace clerkenwell workshops, farringdon, london, united kingdom
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Club workspace clerkenwell workshops, farringdon, london, united kingdom #design #indors #tonycucco
6 months ago
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
7 months ago
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
7 months ago
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
8 months ago
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A Bamboo Pavilion in Bali Reimagines Tropical Craft

A new bamboo pavilion in Bali brings together two design languages that have shaped the island for generations: hand-worked natural material and highly resolved structural engineering. Its open form, layered roof and gently curved frames feel rooted in local building traditions, yet the detailing belongs to contemporary architecture rather than a nostalgic recreation of the past.

The project also reflects a wider movement across hospitality, residential and exhibition design. Bamboo is being treated as a serious architectural material, with attention given to span, fire performance, weathering and maintenance. In Bali, where indoor and outdoor life overlap throughout the day, the pavilion demonstrates how a lightweight structure can create shade, enclosure and ceremony without losing contact with the landscape.

A Familiar Material With A New Structural Language

Bamboo has long been used across Indonesia for homes, bridges, screens, furniture and ceremonial structures. Its rapid growth, hollow form and impressive strength-to-weight ratio make it especially suited to lightweight construction. What changes in this pavilion is the level of precision applied to a material often associated with informal or temporary building.

The structure uses repeated bamboo arches to create a spacious canopy, allowing the eye to follow a rhythm of ribs across the roof. Rather than hiding every connection, the design makes the joints part of the visual identity. Lashings, timber collars and carefully shaped steel plates show how craft and engineering can share the same detail.

This approach gives the pavilion a strong sense of place without relying on decorative references. The architecture feels Balinese because of its material, proportion and relationship with climate, rather than because it applies traditional motifs as surface decoration.

Craft Becomes Part Of The Architecture

The making process is central to the pavilion’s character. Bamboo poles must be selected for diameter, age, straightness and surface quality before they can be treated and assembled. Each piece varies slightly, so the construction team works with the natural material instead of expecting the uniformity associated with factory-made steel sections.

Craft workers shape, split, sand and join the poles with a combination of established techniques and modern tools. The result is a structure in which small irregularities remain visible, giving the pavilion a tactile quality that would be difficult to achieve with a completely standardised system.

This balance is important for contemporary architecture in Bali. Local craftsmanship is often presented as an aesthetic resource, yet projects of lasting value must also support the people and skills behind it. A carefully commissioned pavilion can create work for bamboo growers, carpenters, finishers and specialist builders while preserving knowledge that might otherwise be displaced by imported construction systems.

Designing For Rain, Heat And Humidity

The pavilion’s open perimeter is a direct response to the tropical climate. Deep roof overhangs block high-angle sun and protect the structure from heavy rain, while the absence of sealed walls encourages cross-ventilation. Air can move through the space from several directions, reducing the need for mechanical cooling during ordinary use.

The roof is particularly important. A layered assembly can provide a weatherproof outer skin while leaving a ventilated cavity beneath it. This helps release rising heat and reduces the pressure placed on the occupied area. Carefully positioned openings at the ridge or upper edges can support the stack effect, drawing warm air away from the shaded seating zone.

Bamboo still demands disciplined maintenance in this environment. Insects, fungal growth, ultraviolet exposure and persistent moisture can affect untreated poles. Borax-based treatment, raised supports, protected end grain and generous drainage details extend service life, but they do not remove the need for inspections. The pavilion’s beauty depends on accepting that natural materials age and must be cared for.

A Flexible Setting For Hospitality And Events

The building works as more than a shelter. Its broad central space can host a long communal meal, a product presentation, a small performance or an informal gathering beside the garden. Furniture can remain loose and adaptable, allowing the pavilion to shift between a quiet retreat and a social venue.

This flexibility suits Bali’s design and hospitality culture, where restaurants, resorts and private residences often move easily between interior rooms, terraces and courtyards. A bamboo roof can define a destination without creating a hard boundary between architecture and planting. The view remains important, while the changing light becomes part of the experience.

At midday, the pavilion is likely to read as a cool, shaded volume. At dusk, discreet lighting can reveal the structure from within, turning the ribs into a glowing pattern. Light must be handled with restraint: concealed warm sources and low-level illumination protect the atmosphere better than bright fixtures mounted across the roof.

Why The Idea Resonates In Australia

Australian designers and homeowners will recognise the appeal of a structure that makes outdoor living more comfortable. In Brisbane and the Gold Coast, covered entertaining areas are part of everyday life, while Sydney and Melbourne homes often use pergolas, verandas and courtyards to extend limited floor space. A bamboo pavilion offers a softer alternative to the common combination of concrete slab, steel posts and polycarbonate roofing.

The Australian market already includes bamboo screens, outdoor furniture, flooring and engineered panels, although large structural bamboo remains a specialist choice. Availability, certification and installation expertise can vary between suppliers. Designers considering a similar project would need to verify the source, treatment method, moisture content and structural documentation rather than treating all bamboo products as interchangeable.

Regulation is another important distinction. In Australia, the National Construction Code sets performance requirements for structure, fire safety, health and amenity. A permanent bamboo building may require a project-specific Performance Solution, supported by engineering evidence and testing. Bushfire-prone sites may also need to address the Bushfire Attack Level requirements associated with AS 3959, while northern areas must consider cyclonic wind loads. These realities do not rule out bamboo, but they make early technical collaboration essential.

Everyday use also shapes the design response. A pavilion in a Melbourne garden needs to handle colder winters, whereas a Darwin or Cairns structure must prioritise shade, airflow, rain protection and corrosion resistance. The Bali model is therefore best understood as a source of principles rather than a kit that can be copied unchanged.

A More Thoughtful Model For Sustainable Design

The pavilion’s environmental value comes from several decisions working together. Bamboo can grow quickly and store carbon during its life, but the benefits depend on responsible cultivation, low-impact treatment, durable detailing and a realistic service plan. Transport distances, chemical use and replacement cycles should be considered before a project is described as sustainable.

The structure also demonstrates material efficiency. Its curved members perform several roles at once: they carry loads, establish the interior rhythm and create a recognisable silhouette. A restrained palette of bamboo, timber, stone and woven fibres allows each material to remain legible. This is a useful counterpoint to buildings that add layers of finish in an attempt to appear luxurious.

For Australian projects, a comparable strategy might combine local hardwood decking, engineered bamboo screens, recycled metal connectors and a lightweight roof designed for natural ventilation. The correct specification will vary by location, but the principle remains consistent: select materials for climate, repairability and long-term use, then allow their qualities to shape the architecture.

Feature Bamboo Pavilion Approach Conventional Australian Alternative
Primary structure Treated bamboo poles and engineered connections Steel or hardwood posts and beams
Climate response Deep shade, open sides and roof ventilation Enclosed glazing, fans or mechanical cooling
Visual character Curved, tactile and craft-led Precise, rectilinear and industrial
Maintenance Regular checks for moisture, insects and surface wear Coating renewal, rust control or timber sealing
Regulatory pathway Requires specialist engineering and project-specific evidence More familiar details and established compliance data
Best suited to Gardens, resorts, event spaces and sheltered outdoor rooms Broad range of residential and commercial applications

The most compelling lesson is that tradition and modernity do not need to be separated. Traditional craft can provide knowledge of material behaviour, proportion and climate, while modern engineering can improve safety, durability and construction accuracy. The pavilion succeeds because these roles reinforce each other.

Its design also gives the landscape an active role. Planting, rainfall, breeze and changing daylight are not background scenery; they help complete the architecture. That relationship is increasingly relevant to Australian design, where passive cooling, water management and outdoor amenity are becoming central concerns in both new housing and public projects.

A new bamboo pavilion in Bali therefore stands as more than an attractive retreat. It shows how a regional material can support ambitious contemporary design when its limitations are understood as carefully as its strengths. For architects, interior designers and furniture makers, it offers a persuasive example of how craft can remain commercially relevant, environmentally considered and structurally expressive.

Explore the project as a prompt for your next outdoor room, hospitality space or cultural venue: begin with climate, work closely with skilled makers, and let the material guide the form.

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