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Red Dot Design Award 2022 for Doga Relax
  • Awards
  • Outdoor Furniture

Red Dot Design Award 2022 for Doga Relax

  • Andrew
  • April 9, 2022
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Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen
  • Awards

Red Dot Jury selects the year’s best products – the winners of the Red Dot Award: Product Design 2022 have been chosen

  • Andrew
  • April 9, 2022
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Exciting Developments Planned for theMART in 2022 and Beyond
  • Neocon Chicago

Exciting Developments Planned for theMART in 2022 and Beyond

  • Andrew
  • February 27, 2022
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director
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Maison & Objet Paris annonces Philippe Brocart withdrawal from his position as Managing Director

  • Andrew
  • February 24, 2022
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The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things
  • Salone del Mobile Milano

The 60th edition of the Salone del Mobile.Milano moves to June 2022 boasting a plethora of new things

  • Andrew
  • January 17, 2022
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Milan “Salone del Mobile” 2022 postponed
  • Salone del Mobile Milano

Milan “Salone del Mobile” 2022 postponed

  • Andrew
  • January 17, 2022
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Bisazza Mosaics Pebbles Collection
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  • Indoor Furniture

Bisazza Mosaics Pebbles Collection

  • Andrew
  • January 2, 2022
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Nardi Outdoor Doga collection receives a Good Design® Award 2021
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Nardi Outdoor Doga collection receives a Good Design® Award 2021

  • Andrew
  • January 1, 2022
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SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General
  • Architecture

SpaceInvader transforms Manchester’s One Piccadilly Gardens for Legal & General

  • Andrew
  • December 31, 2021
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Massimosistema by Poltrona Frau
  • Furniture
  • Indoor Furniture

Massimosistema by Poltrona Frau

  • Andrew
  • December 30, 2021
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! 
From 7th to 12th June at Rho Fiera Milano. Are you going to be there?
#salonedelmobile2022
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Reposted from @isaloniofficial -100 days to #salonedelmobile60th, ready to #jointhedesignwave! From 7th to 12th June at Rho Fiera Milano. Are you going to be there? #salonedelmobile2022
3 months ago
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Reposted from @robdematt91 #robdematt91 #lampadedesign #vintage #design #modernariatoitaliano #carlonason #modernariatodesign #modernariato #modernart #designinspiration #designinterior #designing #designer #luxurylighting #modernarts #muranolighting #interior4you #interiordesign #architettiitaliani #antiquariato #robdematt #artemide #guzzini #kartell #fontanaarte #mazzega #reggiani #sciolari #midcentury #midcenturylamp
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Season's Greetings from Tony Cucco design blog
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Season's Greetings from Tony Cucco design blog
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Hive Coworking Space
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Hive Coworking Space #design #designinspiration #designlovers
6 months ago
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Club workspace clerkenwell workshops, farringdon, london, united kingdom
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Club workspace clerkenwell workshops, farringdon, london, united kingdom #design #indors #tonycucco
6 months ago
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
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Nardi Outdoor booth at Host Milan trade show #nardioutdoor #hostmilano #hospitality #hospitalityworld #horeca #hrc #design #designinspiration
7 months ago
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
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Reposted from @archidesiign Inverness A-Frame in California, USA by @blythedesignco [IG]
7 months ago
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
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Reposted from @isaloniofficial #supersalone21 has been awesome but we can't wait to see you from 5th to 10th April 2022 for the 60th edition of Salone del Mobile.Milano #salonedelmobile
8 months ago
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Inside the Restoration of Eero Saarinen’s 1960s Office Tower

On West 52nd Street in Manhattan, a dark, monolithic skyscraper continues to command attention decades after its completion. Known as Black Rock, the former CBS headquarters was designed by Eero Saarinen and completed in 1965, becoming one of the most distinctive office towers of the postwar era.

Its restoration is less about making the building look new than about recovering the architectural ambition embedded in its structure, façade, lobby, and workplace interiors. The project brings together preservation, building performance, tenant expectations, and the practical demands of a contemporary commercial property.

Saarinen’s tower has always resisted easy categorization. It is corporate headquarters, urban monument, engineering achievement, and carefully choreographed interior environment at once. Any renovation therefore has to address the building as a complete work of design rather than as a collection of replaceable finishes.

The Architecture Behind Black Rock

The CBS Building rises approximately 38 stories above Midtown, with a façade of dark granite panels separated by deep vertical joints. Instead of the continuous glass curtain walls that defined many office towers of the period, Saarinen proposed a dense, almost sculptural exterior. The narrow windows give the building a strong vertical rhythm while reducing the impression of a repetitive glass grid.

That solidity earned the tower its nickname, Black Rock. The building’s character comes from the tension between weight and precision: it appears massive from a distance, yet the granite modules, window openings, and structural bays are arranged with exceptional regularity. The result is a skyscraper that feels closer to a piece of monumental furniture than to a conventional commercial block.

Saarinen worked with Kevin Roche, who became an important figure in the project and later completed several major buildings associated with the practice. Their design treated the headquarters as a carefully controlled environment, from the street-level entrance to the executive areas and broadcast facilities inside.

Why A Careful Restoration Matters

Modernizing a building from the 1960s usually begins with systems. Mechanical equipment, electrical distribution, fire protection, elevators, plumbing, and communications infrastructure all have to meet current standards. In a landmark-quality building, however, these upgrades cannot be allowed to erase the original spatial logic.

The restoration of Saarinen’s office tower must also respond to a changed idea of work. The headquarters was planned for a highly structured corporate culture, with defined departments, private offices, formal reception areas, and spaces designed around broadcasting operations. Today’s tenants often expect adaptable floor plates, collaboration zones, wellness facilities, advanced connectivity, and generous communal areas.

The central challenge is to improve performance while preserving atmosphere. A replacement window system, for example, may offer better thermal control but alter the proportions of the façade. New lighting can reduce energy use but flatten the carefully measured contrast between stone, metal, and shadow. Even a seemingly minor change to a lobby desk or elevator surround can affect the building’s ceremonial quality.

Preservation specialists therefore study original drawings, photographs, material samples, and surviving details before deciding what can be repaired, replicated, or discreetly replaced. The process is closer to architectural conservation than to a standard office fit-out.

Restoring The Exterior Envelope

The granite façade is one of the most recognizable aspects of the tower, and its restoration begins with close inspection. Stone panels can suffer from staining, cracking, failed joints, water infiltration, and movement caused by decades of temperature changes. Each condition requires a different response, particularly when the intention is to retain the variation and patina that come with age.

Cleaning is handled carefully. Aggressive methods can damage the surface of dark granite or remove subtle tonal differences that contribute to the building’s identity. Conservators typically test cleaning techniques on small, discreet areas before applying them more broadly. The goal is a consistent and stable appearance, not an artificial uniformity.

Joints and sealants are equally important. The narrow lines between panels help manage water and movement, so replacing deteriorated sealant is both a preservation task and a building-performance measure. Work at the window openings can improve air and water resistance while retaining the characteristic vertical pattern that distinguishes the tower from its glass-clad neighbors.

The restoration also considers how the building meets the sidewalk. Entrances, canopies, paving, signage, and lighting form the public face of the headquarters. When those elements are repaired with restraint, the tower can regain its original sense of arrival without becoming a historical stage set.

Interior Details That Define The Experience

Saarinen’s interiors were conceived as a continuation of the exterior architecture. The lobby uses dark, polished, and reflective materials to create a controlled sequence between street and elevator bank. Its drama comes from proportion and material contrast rather than decoration.

Restoration teams examine original stone, wood, metal, glass, and textile elements to determine which components can be conserved. A surviving wall panel may be cleaned and refinished, while a damaged metal trim profile may need to be reproduced using contemporary fabrication techniques. Where replacement is unavoidable, the most successful approach is usually one that matches the original geometry and texture without pretending to be untouched historic material.

The tower’s workplace floors present a more complex question. Office interiors are regularly altered by tenants, and much of the original planning may have disappeared over time. Some areas can be restored selectively, especially reception spaces, executive rooms, conference rooms, and circulation zones. Elsewhere, new partitions and services must be introduced to support current occupancy.

The strongest interventions distinguish between old and new without creating visual conflict. Contemporary furniture, acoustic treatments, and lighting can sit comfortably within a Saarinen-inspired envelope when their scale, finish, and placement respect the architecture. The aim is continuity of design language rather than literal reconstruction.

Restoration Element Original Design Intent Contemporary Requirement Sensitive Response
Granite façade Monumental mass and vertical rhythm Improved weather resistance and safety Repair stone, renew joints, and retain panel proportions
Windows Narrow openings with strong vertical emphasis Better insulation and air performance Upgrade discreetly while preserving the exterior pattern
Lobby Formal arrival and material drama Accessibility, security, and clearer circulation Integrate new technology with minimal visual disruption
Office floors Structured corporate planning Flexible, connected, collaborative workspaces Preserve major axes and introduce adaptable interiors
Lighting Contrast between stone, metal, and shadow Energy efficiency and visual comfort Use efficient sources with carefully controlled color and intensity
Building systems Concealed infrastructure Current codes and digital connectivity Route services through secondary zones wherever possible

Balancing Performance With Preservation

A restoration of a mid-century office tower cannot rely on appearance alone. Energy use, indoor air quality, elevator performance, water consumption, and operational resilience are essential parts of the project. These improvements are especially significant in a large urban building where small gains across many floors can produce substantial results.

The façade plays a major role in this equation. Air leakage, thermal bridging, and outdated glazing can increase heating and cooling loads. Yet a wholesale recladding would destroy the qualities that make the building culturally valuable. Targeted repairs, improved seals, upgraded controls, and carefully selected interior measures can offer a more appropriate path.

Mechanical systems also require careful coordination. Ductwork, sprinkler lines, sensors, and cabling need to be inserted into spaces that were never designed for today’s technical density. Service zones above ceilings and within cores often provide opportunities to hide new infrastructure, while exposed areas call for coordinated details rather than improvised patching.

Accessibility is another essential part of the work. Entrance thresholds, elevator access, restroom layouts, signage, and circulation routes must support a broad range of users. When these changes are designed as part of the architecture, they can strengthen the experience instead of appearing as separate compliance additions.

A Workplace Adapted For A New Era

The restoration reflects a broader shift in how historic office buildings are valued. A headquarters is no longer judged only by its floor area or address. Tenants also seek distinctive environments that communicate identity, support recruitment, and offer a stronger daily experience than a generic speculative office.

Saarinen’s building has an advantage in this regard. Its powerful structure and unusual material palette already provide a memorable setting. New workplace designs can use that identity as a foundation, introducing open collaboration areas, hospitality-style lounges, private focus rooms, and adaptable meeting spaces without disguising the original architecture.

Furniture selection becomes especially important. Contemporary desks and seating can either reinforce the building’s disciplined geometry or overwhelm it with visual noise. Low profiles, durable upholstery, warm wood accents, and carefully placed lighting can soften the granite and metal while keeping the interiors professional.

The renewed tower also participates in the changing life of Midtown. Restaurants, cultural venues, retail, and public-facing amenities can make the ground level more active throughout the day. That urban connection matters because Saarinen’s architecture was designed to be experienced from both the sidewalk and the office interior.

Design Principles For Protecting Landmark Work

The project offers useful lessons for owners, architects, and interior designers working with significant modern buildings:

  • Begin with a detailed record of original materials, dimensions, finishes, and surviving features.
  • Treat the façade, lobby, circulation, and workplace interiors as parts of one architectural composition.
  • Upgrade energy, accessibility, safety, and connectivity through discreetly integrated interventions.
  • Use contemporary furniture and technology to support the original spatial rhythm rather than compete with it.
  • Accept signs of age where they contribute to authenticity, while repairing failures that threaten the building’s performance.

The most convincing restoration work is often quiet. It may be visible in the clarity of a stone joint, the improved comfort near a window, or the way new lighting reveals an original surface. These details rarely announce themselves, but together they allow a historic building to function with confidence in the present.

For Eero Saarinen’s 1960s office tower, the future depends on this balance. Its value lies neither in freezing it as a museum object nor in stripping away its identity for the sake of convenience. It lies in making the building useful again while allowing its original architectural voice to remain unmistakable.

Follow Tony Cucco for more stories about modernist architecture, landmark interiors, furniture collections, and the design decisions shaping the next generation of workplaces.

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